Michaelis obviously wasn’t an Englishman, in spite of all the tailors, hatters, barbers, booters of the very best quarter of London. No, no, he obviously wasn’t an Englishman: the wrong sort of flattish, pale face and bearing; and the wrong sort of grievance. He had a grudge and a grievance: that was obvious to any true–born English gentleman, who would scorn to let such a thing appear blatant in his own demeanour. Poor Michaelis had been much kicked, so that he had a slightly tail–between–the–legs look even now. He had pushed his way by sheer instinct and sheerer effrontery on to the stage and to the front of it, with his plays. He had caught the public. And he had thought the kicking days were over. Alas, they weren’t... They never would be. For he, in a sense, asked to be kicked. He pined to be where he didn’t belong...among the English upper classes. And how they enjoyed the various kicks they got at him! And how he hated them!

Nevertheless he travelled with his manservant and his very neat car, this Dublin mongrel.

There was something about him that Connie liked. He didn’t put on airs to himself, he had no illusions about himself. He talked to Clifford sensibly, briefly, practically, about all the the things Clifford wanted to know. He didn’t expand or let himself go. He knew he had been asked down to Wragby to be made use of, and like an old, shrewd, almost indifferent business man, or big–business man, he let himself be asked questions, and he answered with as little waste of feeling as possible.

‘Money!’ he said. ‘Money is a sort of instinct. It’s a sort of property of nature in a man to make money. It’s nothing you do. It’s no trick you play. It’s a sort of permanent accident of your own nature; once you start, you make money, and you go on; up to a point, I suppose.’

‘But you’ve got to begin,’ said Clifford.

‘Oh, quite! You’ve got to get IN. You can do nothing if you are kept outside. You’ve got to beat your way in. Once you’ve done that, you can’t help it.’

‘But could you have made money except by plays?’ asked Clifford.

‘Oh, probably not! I may be a good writer or I may be a bad one, but a writer and a writer of plays is what I am, and I’ve got to be. There’s no question of that.’

‘And you think it’s a writer of popular plays that you’ve got to be?’ asked Connie.

‘There, exactly!’ he said, turning to her in a sudden flash. ‘There’s nothing in it! There’s nothing in popularity. There’s nothing in the public, if it comes to that. There’s nothing really in my plays to make them popular. It’s not that. They just are like the weather...the sort that will HAVE to be...for the time being.’

He turned his slow, rather full eyes, that had been drowned in such fathomless disillusion, on Connie, and she trembled a little. He seemed so old...endlessly old, built up of layers of disillusion, going down in him generation after generation, like geological strata; and at the same time he was forlorn like a child. An outcast, in a certain sense; but with the desperate bravery of his rat–like existence.

“Our own colours, green and white. Green open, white

shut. Main stair, first corridor, seventh right, green baize.

Godspeed. D.

It is a woman’s writing, done with a sharp-pointed pen, but the address is either done with another pen or by someone else. It is thicker and bolder, as you see.”

“A very remarkable note,” said Holmes, glancing it over. “I must compliment you, Mr. Baynes, upon your attention to detail in your examination of it. A few trifling points might perhaps be added. The oval seal is undoubtedly a plain sleeve-link — what else is of such a shape? The scissors were bent nail scissors. Short as the two snips are, you can distinctly see the same slight curve in each.”

The country detective chuckled.

“I thought I had squeezed all the juice out of it, but I see there was a little over,” he said. “I’m bound to say that I make nothing of the note except that there was something on hand, and that a woman, as usual, was at the bottom of it.”

Mr. Scott Eccles had fidgeted in his seat during this conversation.

“I am glad you found the note, since it corroborates my story,” said he. “But I beg to point out that I have not yet heard what has happened to Mr. Garcia, nor what has become of his household.”

“As to Garcia,” said Gregson, “that is easily answered. He was found dead this morning upon Oxshott Common, nearly a mile from his home. His head had been smashed to pulp by heavy blows of a sandbag or some such instrument, which had crushed rather than wounded. It is a lonely corner, and there is no house within a quarter of a mile of the spot. He had apparently been struck down first from behind, but his assailant had gone on beating him long after he was dead. It was a most furious assault. There are no footsteps nor any clue to the criminals.”

“Robbed?”

“No, there was no attempt at robbery.”

“This is very painful — very painful and terrible,” said Mr. Scott Eccles in a querulous voice, “but it is really uncommonly hard upon me. I had nothing to do with my host going off upon a nocturnal excursion and meeting so sad an end. How do I come to be mixed up with the case?”

“Very simply, sir,” Inspector Baynes answered. “The only document found in the pocket of the deceased was a letter from you saying that you would be with him on the night of his death. It was the envelope of this letter which gave us the dead man’s name and address. It was after nine this morning when we reached his house and found neither you nor anyone else inside it. I wired to Mr. Gregson to run you down in London while I examined Wisteria Lodge. Then I came into town, joined Mr. Gregson, and here we are.”

“I think now,” said Gregson, rising, “we had best put this matter into an official shape. You will come round with us to the station, Mr. Scott Eccles, and let us have your statement in writing.”